第7章 TOM O' THE BLUEB'RY PLAINS.(1)

The sky is a shadowless blue; the noon-day sun glows fiercely; a cloud of dust rises from the burning road whenever the hot breeze stirs the air, or whenever a farm wagon creaks along, its wheels sinking into the deep sand.

In the distance, where the green of the earth joins the blue of the sky, gleams the silver line of a river.

As far as the eye an reach, the ground is covered with blueberry bushes; red leaves peeping among green ones; bloom of blue fruit hanging in full warm clusters,--spheres of velvet mellowed by summer sun, moistened with crystal dew, spiced with fragrance of woods.

In among the blueberry bushes grow huckleberries, "choky pears," and black-snaps.

Gnarled oaks and stunted pines lift themselves out of the wilderness of shrubs. They look dwarfed and gloomy, as if Nature had been an untender mother, and denied them proper nourishment.

The road is a little-traveled one, and furrows of feathery grasses grow between the long, hot, sandy stretches of the wheel-ruts.

The first goldenrod gleams among the loose stones at the foot of the alder bushes. Whole families of pale butterflies, just out of their long sleep, perch on the brilliant stalks and tilter up and down in the sunshine.

Straggling processions of wooly brown caterpillars wend their way in the short grass by the wayside, where the wild carrot and the purple bull-thistle are coming into bloom.

The song of birds is seldom heard, and the blueberry plains are given over to silence save for the buzzing of gorged flies, the humming of bees, and the chirping of crickets that stir the drowsy air when the summer begins to wane.

It is so still that the shuffle-shuffle of a footstep can be heard in the distance, the tinkle of a tin pail swinging musically to and fro, the swish of an alder switch cropping the heads of the roadside weeds.

All at once a voice breaks the stillness. Is it a child's, a woman's, or a man's? Neither yet all three.

"I'd much d'ruth-er walk in the bloom-in' gy-ar-ding, An' hear the whis-sle of the jol-ly --swain."

Everybody knows the song, and everybody knows the cracked voice.

The master of this bit of silent wilderness is coming home: it is Tom o' the blueb'ry plains.

He is more than common tall, with a sandy beard, and a mop of tangled hair straggling beneath his torn straw hat.

A square of wet calico drips from under the back of the hat.

His gingham shirt is open at the throat, showing his tanned neck and chest. Warm as it is, he wears portions of at least three coats on his back. His high boots, split in foot and leg, are mended and spliced and laced and tied on with bits of shingle rope.

He carries a small tin pail of molasses. It has a bail of rope, and a battered cover with a knob of sticky newspaper.

Over one shoulder, suspended on a crooked branch, hangs a bundle of basket stuff,--split willow withes and the like; over the other swings a decrepit, bottomless, three-legged chair.

I call him the master of the plains, but in faith he had no legal claim to the title. If he owned a habitation or had established a home on any spot in the universe, it was because no man envied him what he took; for Tom was one of God's fools, a foot-loose pilgrim in this world of ours, a poor addle-pated, simple-minded, harmless creature,-- in village parlance, a "softy."

Mother or father, sister or brother, he had none, nor ever had, so far as any one knew; but how should people who had to work from sun-up to candlelight to get the better of the climate have leisure to discover whether or no Blueb'ry Tom had any kin?

At some period in an almost forgotten past there had been a house on Tom's particular patch of the plains.

It had long since tumbled into ruins and served for fire-wood and even the chimney bricks had disappeared one by one, as the monotonous seasons came and went.

Tom had settled himself in an old tool-shop, corn-house, or rude out-building of some sort that had belonged to the ruined cottage.

Here he had set up his house-hold gods; and since no one else had ever wanted a home in this dreary tangle of berry bushes, where the only shade came from stunted pines that flung shriveled arms to the sky and dropped dead cones to the sterile earth, here he remained unmolested.

In the lower part of the hut he kept his basket stuff and his collection of two-legged and three-legged chairs.

In the course of evolution they never sprouted another leg, those chairs; as they were given to him, so they remained.

The upper floor served for his living-room, and was reached by a ladder from the ground, for there was no stairway inside.

No one had ever been in the little upper chamber.

When a passer-by chanced to be-think him that Tom's hermitage was close at hand, he sometimes turned in his team by a certain clump of white birches and drove nearer to the house, intending to remind Tom that there was a chair to willow-bottom the next time he came to the village.

But at the noise of the wheels Tom drew in his ladder; and when the visitor alighted and came within sight, it was to find the inhospitable host standing in the opening of the second-story window, a quaint figure framed in green branches, the ladder behind him, and on his face a kind of impenetrable dignity, as he shook his head and said, "Tom ain't ter hum; Tom's gone to Bonny Eagle."

There was something impressive about his way of repelling callers; it was as effectual as a door slammed in the face, and yet there was a sort of mendacious courtesy about it. No one ever cared to go further; and indeed there was no mystery to tempt the curious, and no spoil to attract the mischievous or the malicious.

Any one could see, without entering, the straw bed in the far corner, the beams piled deep with red and white oak acorns, the strings of dried apples and bunches of everlastings hanging from the rafters, and the half-finished baskets filled with blown bird's-eggs, pine cones, and pebbles.