THE HOUSE OF THE SEVEN GABLES
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第35章 VI (2)

They kept themselves alive, unquestionably, and laid now and then an egg, and hatched a chicken; not for any pleasure of their own, but that the world might not absolutely lose what had once been so admirable a breed of fowls. The distinguishing mark of the hens was a crest of lamentably scanty growth, in these latter days, but so oddly and wickedly analogous to Hepzibah's turban, that Phoebe--to the poignant distress of her conscience, but inevitably --was led to fancy a general resemblance betwixt these forlorn bipeds and her respectable relative.

The girl ran into the house to get some crumbs of bread, cold potatoes, and other such scraps as were suitable to the accommodating appetite of fowls. Returning, she gave a peculiar call, which they seemed to recognize. The chicken crept through the pales of the coop and ran, with some show of liveliness, to her feet; while Chanticleer and the ladies of his household regarded her with queer, sidelong glances, and then croaked one to another, as if communicating their sage opinions of her character. So wise, as well as antique, was their aspect, as to give color to the idea, not merely that they were the descendants of a time-honored race, but that they had existed, in their individual capacity, ever since the House of the Seven Gables was founded, and were somehow mixed up with its destiny. They were a species of tutelary sprite, or Banshee; although winged and feathered differently from most other guardian angels.

"Here, you odd little chicken!" said Phoebe; "here are some nice crumbs for you!"The chicken, hereupon, though almost as venerable in appearance as its, mother--possessing, indeed, the whole antiquity of its progenitors in miniature,--mustered vivacity enough to flutter upward and alight on Phoebe's shoulder.

"That little fowl pays you a high compliment!" said a voice behind Phoebe.

Turning quickly, she was surprised at sight of a young man, who had found access into the garden by a door opening out of another gable than that whence she had emerged. He held a hoe in his hand, and, while Phoebe was gone in quest of the crumbs, had begun to busy himself with drawing up fresh earth about the roots of the tomatoes.

"The chicken really treats you like an old acquaintance,"continued he in a quiet way, while a smile made his face pleasanter than Phoebe at first fancied it. "Those venerable personages in the coop, too, seem very affably disposed. You are lucky to be in their good graces so soon! They have known me much longer, but never honor me with any familiarity, though hardly a day passes without my bringing them food. Miss Hepzibah, I suppose, will interweave the fact with her other traditions, and set it down that the fowls know you to be a Pyncheon!""The secret is," said Phoebe, smiling, "that I have learned how to talk with hens and chickens.""Ah, but these hens," answered the young man,--"these hens of aristocratic lineage would scorn to understand the vulgar language of a barn-yard fowl. I prefer to think--and so would Miss Hepzibah --that they recognize the family tone. For you are a Pyncheon?""My name is Phoebe Pyncheon," said the girl, with a manner of some reserve; for she was aware that her new acquaintance could be no other than the daguerreotypist, of whose lawless propensities the old maid had given her a disagreeable idea. "I did not know that my cousin Hepzibah's garden was under another person's care.""Yes," said Holgrave, "I dig, and hoe, and weed, in this black old earth, for the sake of refreshing myself with what little nature and simplicity may be left in it, after men have so long sown and reaped here. I turn up the earth by way of pastime.

My sober occupation, so far as I have any, is with a lighter material. In short, I make pictures out of sunshine; and, not to be too much dazzled with my own trade, I have prevailed with Miss Hepzibah to let me lodge in one of these dusky gables. It is like a bandage over one's eyes, to come into it. But would you like to see a specimen of my productions?""A daguerreotype likeness, do you mean?" asked Phoebe with less reserve;for, in spite of prejudice, her own youthfulness sprang forward to meet his. "I don't much like pictures of that sort,--they are so hard and stern; besides dodging away from the eye, and trying to escape altogether.

They are conscious of looking very unamiable, I suppose, and therefore hate to be seen.""If you would permit me," said the artist, looking at Phoebe, "I should like to try whether the daguerreotype can bring out disagreeable traits on a perfectly amiable face. But there certainly is truth in what you have said. Most of my likenesses do look unamiable; but the very sufficient reason, I fancy, is, because the originals are so. There is a wonderful insight in Heaven's broad and simple sunshine. While we give it credit only for depicting the merest surface, it actually brings out the secret character with a truth that no painter would ever venture upon, even could he detect it. There is, at least, no flattery in my humble line of art. Now, here is a likeness which I have taken over and over again, and still with no better result. Yet the original wears, to common eyes, a very different expression.

It would gratify me to have your judgment on this character."He exhibited a daguerreotype miniature in a morocco case.

Phoebe merely glanced at it, and gave it back.

"I know the face," she replied; "for its stern eye has been following me about all day. It is my Puritan ancestor, who hangs yonder in the parlor. To be sure, you have found some way of copying the portrait without its black velvet cap and gray beard, and have given him a modern coat and satin cravat, instead of his cloak and band. I don't think him improved by your alterations.""You would have seen other differences had you looked a little longer," said Holgrave, laughing, yet apparently much struck.