第10章 CHAPTER II(5)

"I think it the most painful way of taking pleasure, sir--that is the actual transit. And sleeping cars and electric-lighted steamers and hotels do not mitigate the suffering. If Dante was writing now he might depict a constant round of personally conducted tours in Purgatory. I should think the punishment adequate for any offense. But I like arriving at places. New York has given me a lot of new sensations to-day, and I have forgotten the transit troubles already."He talked well and temperately, and yet Ethel could not avoid the conclusion that he was a man of positive character and uncompromising prejudices. And she also felt a little disappointed in his personality, which contradicted her ideal of a Yorkshire squire.

For he was small and slender in stature, and his face was keen and thin, from the high cheek bones to the sharp point of the clean-shaven chin. Yet it was an interesting face, for the brows were broad and the eyes bright and glancing. That his nature held the op-posite of his qualities was evident from the mouth, which was composed and discreet and generally clothed with a frank smile, negatived by the deep, sonorous voice which belongs to the indiscreet and quarrelsome. His dress was perfect. Ethel could find no fault in it, except the monocle which he did not use once during the evening, and which she therefore decided was a quite idle and unhandsome adjunct.

One feature of his character was definite-- he was a home-loving man. He liked the society of women with whom he could be familiar, and he preferred the company of books and music to fashionable social functions.

This pleasant habit of domesticity was illustrated during the evening by an accidental incident--a noisy, mechanical street organ stopped before the windows, and in a blatant manner began its performance. Conversation was paralyzed by the intrusion and when it was removed Judge Rawdon said: "What a democratic, leveling, aggressive thing music is! It insists on being heard. It is always in the way, it thrusts itself upon you, whether you want it or not. Now art is different.

You go to see pictures when you wish to."

Mostyn did not notice the criticism on music itself, but added in a soft, disapproving way: "That man has no music in him. Do you know that was one of Mendelssohn's delicious dreams. This is how it should have been rendered,"and he went impulsively to the piano and then the sweet monotonous cadences and melodious reveries slipped from his long white fingers till the whole room was permeated with a delicious sense of moonlit solitude and conversation was stilled in its languor. The young man had played his own dismissal, but it was an effective one, and he complimented himself on his readiness to seize opportunities for display, and on his genius in satisfying them.

"I think I astonished them a little," he mused, "and I wonder what that pretty, cousin of mine thought of the music and the musician. I fancy we shall be good friends;she is proud--that is no fault; and she has very decided opinions--which might be a great fault; but I think I rather astonished them."To such reflections he stepped rather pompously down the avenue, not at all influenced by any premonition that his satisfactory feelings might be imperfectly shared. Yet silence was the first result of his departure. Judge Rawdon took out his pocketbook and began to study its entries. Ruth Bayard rose and closed the piano. Ethel lifted a magazine, while it was Madam who finally asked in an impatient tone:

"What do you think of Frederick? I suppose, Edward, you have an opinion. Isn't he a very clever man?""I should not wonder if he were, mother, clever to a fault.""I never heard a young man talk better."

"He talked a great deal, but then, you know, he was not on his oath.""I'll warrant every word he said."

"Your warrant is fine surety, mother, but I am not bound to believe all I hear. You women can please yourselves."And with these words he left the women to find out, if they could, what manner of man their newly-found kinsman might be.