A PORTRAIT OF THE ARTIST AS A YOUNG MAN
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第19章

Stephen sat on a footstool beside his father listening to a long and incoherent monologue. He understood little or nothing of it at first but he became slowly aware that his father had enemies and that some fight was going to take place. He felt, too, that he was being enlisted for the fight, that some duty was being laid upon his shoulders. The sudden flight from the comfort and revery of Blackrock, the passage through the gloomy foggy city, the thought of the bare cheerless house in which they were now to live made his heart heavy, and again an intuition, a foreknowledge of the future came to him. He understood also why the servants had often whispered together in the hall and why his father had often stood on the hearthrug with his back to the fire, talking loudly to uncle Charles who urged him to sit down and eat his dinner.

-- There's a crack of the whip left in me yet, Stephen, old chap, said Mr Dedalus, poking at the dull fire with fierce energy. We're not dead yet, sonny. No, by the Lord Jesus (God forgive me) not half dead.

Dublin was a new and complex sensation. Uncle Charles had grown so witless that he could no longer be sent out on errands and the disorder in settling in the new house left Stephen freer than he had been in Blackrock. In the beginning he contented himself with circling timidly round the neighbouring square or, at most, going half way down one of the side streets but when he had made a skeleton map of the city in his mind he followed boldly one of its central lines until he reached the customhouse. He passed unchallenged among the docks and along the quays wondering at the multitude of corks that lay bobbing on the surface of the water in a thick yellow scum, at the crowds of quay porters and the rumbling carts and the ill-dressed bearded policeman. The vastness and strangeness of the life suggested to him by the bales of merchandise stocked along the walls or swung aloft out of the holds of steamers wakened again in him the unrest which had sent him wandering in the evening from garden to garden in search of Mercedes. And amid this new bustling life he might have fancied himself in another Marseille but that he missed the bright sky and the sum-warmed trellises of the wineshops.

A vague dissatisfaction grew up within him as he looked on the quays and on the river and on the lowering skies and yet he continued to wander up and down day after day as if he really sought someone that eluded him.

He went once or twice with his mother to visit their relatives: and though they passed a jovial array of shops lit up and adorned for Christmas his mood of embittered silence did not leave him. The causes of his embitterment were many, remote and near. He was angry with himself for being young and the prey of restless foolish impulses, angry also with the change of fortune which was reshaping the world about him into a vision of squalor and insincerity.

Yet his anger lent nothing to the vision. He chronicled with patience what he saw, detaching himself from it and tasting its mortifying flavour in secret.

He was sitting on the backless chair in his aunt's kitchen. A lamp with a reflector hung on the japanned wall of the fireplace and by its light his aunt was reading the evening paper that lay on her knees. She looked a long time at a smiling picture that was set in it and said musingly:

-- The beautiful Mabel Hunter!

A ringletted girl stood on tiptoe to peer at the picture and said softly:

-- What is she in, mud?

-- In a pantomime, love.

The child leaned her ringletted head against her mother's sleeve, gazing on the picture, and murmured as if fascinated:

-- The beautiful Mabel Hunter!

As if fascinated, her eyes rested long upon those demurely taunting eyes and she murmured devotedly:

-- Isn't she an exquisite creature?

And the boy who came in from the street, stamping crookedly under his stone of coal, heard her words. He dropped his load promptly on the floor and hurried to her side to see. He mauled the edges of the paper with his reddened and blackened hands, shouldering her aside and complaining that he could not see.

He was sitting in the narrow breakfast room high up in the old dark-windowed house. The firelight flickered on the wall and beyond the window a spectral dusk was gathering upon the river. Before the fire an old woman was busy making tea and, as she bustled at the task, she told in a low voice of what the priest and the doctor had said. She told too of certain changes they had seen in her of late and of her odd ways and sayings. He sat listening to the words and following the ways of adventure that lay open in the coals, arches and vaults and winding galleries and jagged caverns.

Suddenly he became aware of something in the doorway. A skull appeared suspended in the gloom of the doorway. A feeble creature like a monkey was there, drawn thither by the sound of voices at the fire. A whining voice came from the door asking:

-- Is that Josephine?

The old bustling woman answered cheerily from the fireplace:

-- No, Ellen, it's Stephen.

-- O O, good evening, Stephen.

He answered the greeting and saw a silly smile break over the face in the doorway.

-- Do you want anything, Ellen? asked the old woman at the fire.

But she did not answer the question and said:

-- I thought it was Josephine. I thought you were Josephine, Stephen.

And, repeating this several times, she fell to laughing feebly.

He was sitting in the midst of a children's party at Harold's Cross.

His silent watchful manner had grown upon him and he took little part in the games. The children, wearing the spoils of their crackers, danced and romped noisily and, though he tried to share their merriment, he felt himself a gloomy figure amid the gay cocked hats and sunbonnets.