第14章 THE STATE AS A WORK OF ART(14)

His son-in-law and successor, the fortunate Condottiere Francesco Sforza (1450- 1466), was perhaps of all the Italians of the fifteenth century the man most after the heart of his age.Never was the triumph of genius and individual power more brilliantly displayed than in him;and those who would P.et recognize his merit were at least forced to wonder at him as the spoilt child of fortune.The Milanese claimed it openly as an honour to be governed by so distinguished a master; when he entered the city the thronging populace bore him on horseback into the cathedral, without giving him the chance to dismount.Let us listen t o the balance-sheet of his life, in the estimate of Pope Pius II, a judge in such matters: 'In the year 1459, when the Duke came to the congress at Mantua, he was 60 (really 58) years old; on horseback he looked like a young man; of a lofty and imposing figure, with serious features, calm and affable in conversation, princely in his whole bearing, with a combination of bodily and intellectual gifts unrivalled in our time, unconquered on the field of battle - such was the man who raised himself from a humble position to the control of an empire.His wife was beautiful and virtuous, his children were like the angels of heaven; he was seldom ill, and all his chief wishes were fulfilled.And yet he was not without misfortune.His wife, out of jealousy, killed his mistress; his old comrades and friends, Troilo and Brunoro, abandoned him and went over to King Alfonso; another, Ciarpollone, he was forced to hang for treason; he had to suffer it that his brother Alessandro set the French upon him; one of his sons formed intrigues against him, and was imprisoned; the March of Ancona, which he h ad won in war, he lost again the same way.No man enjoys so unclouded a fortune that he has not somewhere to struggle with adversity.He is happy who has but few troubles.' With this negative definition of happiness the learned Pope dismisses the reader.Had he been able to see into the future, or been willing to stop and discuss the consequences of an uncontrolled despotism, one pervading fact would not have escaped his notice the absence of all guarantee for the future.

Those children, beautiful as angels, carefully and thoroughly educated as they were, fell victims, when they grew up, to the corruption of a measureless egotism.Galeazzo Maria (1466-1476), solicitous only of outward effect, too k pride in the beauty of his hands, in the high salaries he paid, in the financial credit he enjoyed, in his treasure of two million pieces of gold, in the distinguished people who surrounded him, and in the army and birds of chase which he maintained.

He was fond of the sound of his own voice, and spoke well, most fluently, perhaps, when he had the chance of insulting a Venetian ambassador.He was subject to caprices, such as having a room painted with figures in a single night; and, what was worse, to fits of senseless debauchery and of revolting cruelty to his nearest friends.

To a handful of enthusiasts, he seemed a tyrant too bad to live; they murdered him, and thereby delivered the State into the power of his brothers, one of whom, Lodovico il Moro, threw his nephew into prison, and took the government into his own hands.From this usurpation followed the French intervention, and the disasters which befell the whole of Italy.