第8章

And they all laughed again, and took home the child to the palace, where, when she was washed and combed, and had one of the Princess's frocks given to her, she looked as handsome as Angelica, almost.Not that Angelica ever thought so; for this little lady never imagined that anybody in the world could be as pretty, as good, or as clever as herself.In order that the little girl should not become too proud and conceited, Mrs.

Gruffanuff took her old ragged mantle and one shoe, and put them into a glass box, with a card laid upon them, upon which was written, 'These were the old clothes in which little BETSINDA was found when the great goodness and admirable kindness of Her Royal Highness the Princess Angelica received this little outcast.'

And the date was added, and the box locked up.

For a while little Betsinda was a great favourite with the Princess, and she danced, and sang, and made her little rhymes, to amuse her mistress.But then the Princess got a monkey, and afterwards a little dog, and afterwards a doll, and did not care for Betsinda any more, who became very melancholy and quiet, and sang no more funny songs, because nobody cared to hear her.And then, as she grew older, she was made a little lady's-maid to the Princess; and though she had no wages, she worked and mended, and put Angelica's hair in papers, and was never cross when scolded, and was always eager to please her mistress, and was always up early and to bed late, and at hand when wanted, and in fact became a perfect little maid.So the two girls grew up, and, when the Princess came out, Betsinda was never tired of waiting on her; and made her dresses better than the best milliner, and was useful in a hundred ways.Whilst the Princess was having her masters, Betsinda would sit and watch them; and in this way she picked up a great deal of learn ing; for she was always awake, though her mistress was not, and listened to the wise professors when Angelica was yawning or thinking of the next ball.And when the dancing-master came, Betsinda learned along with Angelica;and when the music-master came, she watched him, and practiced the Princess's pieces when Angelica was away at balls and parties; and when the drawing-master came, she took note of all he said and did; and the same with French, Italian, and all other languages--she learned them from the teacher who came to Angelica.When the Princess was going out of an evening she would say, 'My good Betsinda, you may as well finish what I have begun.' 'Yes, miss,' Betsinda would say, and sit down very cheerful, not to FINISH what Angelica began, but to DO it.

For instance, the Princess would begin a head of a warrior, let us say, and when it was begun it was something like this--But when it was done, the warrior was like this--(only handsomer still if possible), and the Princess put her name to the drawing; and the Court and King and Queen, and above all poor Giglio, admired the picture of all things, and said, 'Was there ever a genius like Angelica?' So, I am sorry to say, was it with the Princess's embroidery and other accomplishments; and Angelica actually believed that she did these things herself, and received all the flattery of the Court as if every word of it was true.Thus she began to think that there was no young woman in all the world equal to herself, and that no young man was good enough for her.As for Betsinda, as she heard none of these praises, she was not puffed up by them, and being a most grateful, good-natured girl, she was only too anxious to do everything which might give her mistress pleasure.Now you begin to perceive that Angelica had faults of her own, and was by no means such a wonder of wonders as people represented Her Royal Highness to be.