Sketches by Boz
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第91章

The only communication these men have with their friends, is through two close iron gratings, with an intermediate space of about a yard in width between the two, so that nothing can be handed across, nor can the prisoner have any communication by touch with the person who visits him. The married men have a separate grating, at which to see their wives, but its construction is the same.

The prison chapel is situated at the back of the governor's house:

the latter having no windows looking into the interior of the prison. Whether the associations connected with the place - the knowledge that here a portion of the burial service is, on some dreadful occasions, performed over the quick and not upon the dead - cast over it a still more gloomy and sombre air than art has imparted to it, we know not, but its appearance is very striking.

There is something in a silent and deserted place of worship, solemn and impressive at any time; and the very dissimilarity of this one from any we have been accustomed to, only enhances the impression. The meanness of its appointments - the bare and scanty pulpit, with the paltry painted pillars on either side - the women's gallery with its great heavy curtain - the men's with its unpainted benches and dingy front - the tottering little table at the altar, with the commandments on the wall above it, scarcely legible through lack of paint, and dust and damp - so unlike the velvet and gilding, the marble and wood, of a modern church - are strange and striking. There is one object, too, which rivets the attention and fascinates the gaze, and from which we may turn horror-stricken in vain, for the recollection of it will haunt us, waking and sleeping, for a long time afterwards. Immediately below the reading-desk, on the floor of the chapel, and forming the most conspicuous object in its little area, is THE CONDEMNED PEW; a huge black pen, in which the wretched people, who are singled out for death, are placed on the Sunday preceding their execution, in sight of all their fellow-prisoners, from many of whom they may have been separated but a week before, to hear prayers for their own souls, to join in the responses of their own burial service, and to listen to an address, warning their recent companions to take example by their fate, and urging themselves, while there is yet time - nearly four-and-twenty hours - to 'turn, and flee from the wrath to come!'

Imagine what have been the feelings of the men whom that fearful pew has enclosed, and of whom, between the gallows and the knife, no mortal remnant may now remain! Think of the hopeless clinging to life to the last, and the wild despair, far exceeding in anguish the felon's death itself, by which they have heard the certainty of their speedy transmission to another world, with all their crimes upon their heads, rung into their ears by the officiating clergyman!

At one time - and at no distant period either - the coffins of the men about to be executed, were placed in that pew, upon the seat by their side, during the whole service. It may seem incredible, but it is true. Let us hope that the increased spirit of civilisation and humanity which abolished this frightful and degrading custom, may extend itself to other usages equally barbarous; usages which have not even the plea of utility in their defence, as every year's experience has shown them to be more and more inefficacious.

Leaving the chapel, descending to the passage so frequently alluded to, and crossing the yard before noticed as being allotted to prisoners of a more respectable description than the generality of men confined here, the visitor arrives at a thick iron gate of great size and strength. Having been admitted through it by the turnkey on duty, he turns sharp round to the left, and pauses before another gate; and, having passed this last barrier, he stands in the most terrible part of this gloomy building - the condemned ward.

The press-yard, well known by name to newspaper readers, from its frequent mention in accounts of executions, is at the corner of the building, and next to the ordinary's house, in Newgate-street:

running from Newgate-street, towards the centre of the prison, parallel with Newgate-market. It is a long, narrow court, of which a portion of the wall in Newgate-street forms one end, and the gate the other. At the upper end, on the left hand - that is, adjoining the wall in Newgate-street - is a cistern of water, and at the bottom a double grating (of which the gate itself forms a part)similar to that before described. Through these grates the prisoners are allowed to see their friends; a turnkey always remaining in the vacant space between, during the whole interview.

Immediately on the right as you enter, is a building containing the press-room, day-room, and cells; the yard is on every side surrounded by lofty walls guarded by CHEVAUX DE FRISE; and the whole is under the constant inspection of vigilant and experienced turnkeys.