第71章

It might be Pierre, called Dieu d'amours, the juggler; or it might be three high English minstrels; or the two men, players of ghitterns, from the kingdom of Scotland, who sang the destruction of the Turks; or again Jehan Rognelet, player of instruments of music, who played and danced with his wife and two children; they would each be called into the castle to give a taste of his proficiency before my lord the duke.

(1) Sometimes the performance was of a more personal interest, and produced much the same sensations as are felt on an English green on the arrival of a professional cricketer, or round an English billiard table during a match between Roberts and Cooke. This was when Jehan Negre, the Lombard, came to Blois and played chess against all these chess-players, and won much money from my lord and his intimates; or when Baudet Harenc of Chalons made ballades before all these ballade-makers. (2)

(1) ChampoIlion-Figeac, 381, 361, 381.

(2) Champollion-Figeac, 359,361.

It will not surprise the reader to learn they were all makers of ballades and rondels. To write verses for May day, seems to have been as much a matter of course, as to ride out with the cavalcade that went to gather hawthorn. The choice of Valentines was a standing challenge, and the courtiers pelted each other with humorous and sentimental verses as in a literary carnival. If an indecorous adventure befell our friend Maistre Estienne le Gout, my lord the duke would turn it into the funniest of rondels, all the rhymes being the names of the cases of nouns or the moods of verbs; and Maistre Estienne would make reply in similar fashion, seeking to prune the story of its more humiliating episodes. If Fredet was too long away from Court, a rondel went to upbraid him; and it was in a rondel that Fredet would excuse himself.

Sometimes two or three, or as many as a dozen, would set to work on the same refrain, the same idea, or in the same macaronic jargon. Some of the poetasters were heavy enough; others were not wanting in address; and the duchess herself was among those who most excelled. On one occasion eleven competitors made a ballade on the idea, "I die of thirst beside the fountain's edge" (Je meurs de soif empres de la fontaine).

These eleven ballades still exist; and one of them arrests the attention rather from the name of the author than from any special merit in itself. It purports to be the work of Francois Villon; and so far as a foreigner can judge (which is indeed a small way), it may very well be his. Nay, and if any one thing is more probable than another, in the great TABULA RASA, or unknown land, which we are fain to call the biography of Villon, it seems probable enough that he may have gone upon a visit to Charles of Orleans. Where Master Baudet Harenc, of Chalons, found a sympathetic, or perhaps a derisive audience (for who can tell nowadays the degree of Baudet's excellence in his art?), favour would not be wanting for the greatest ballade-maker of all time. Great as would seem the incongruity, it may have pleased Charles to own a sort of kinship with ragged singers, and whimsically regard himself as one of the confraternity of poets. And he would have other grounds of intimacy with Villon. A room looking upon Windsor gardens is a different matter from Villon's dungeon at Meun; yet each in his own degree had been tried in prison. Each in his own way also, loved the good things of this life and the service of the Muses. But the same gulf that separated Burns from his Edinburgh patrons would separate the singer of Bohemia from the rhyming duke. And it is hard to imagine that Villon's training amongst thieves, loose women, and vagabond students, had fitted him to move in a society of any dignity and courtliness. Ballades are very admirable things; and a poet is doubtless a most interesting visitor. But among the courtiers of Charles, there would be considerable regard for the proprieties of etiquette; and even a duke will sometimes have an eye to his teaspoons.

Moreover, as a poet, I can conceive he may have disappointed expectation. It need surprise nobody if Villon's ballade on the theme, "I die of thirst beside the fountain's edge," was but a poor performance. He would make better verses on the lee-side of a flagon at the sign of the Pomme du Pin, than in a cushioned settle in the halls of Blois.

Charles liked change of place. He was often not so much travelling as making a progress; now to join the king for some great tournament; now to visit King Rene, at Tarascon, where he had a study of his own and saw all manner of interesting things - oriental curios, King Rene painting birds, and, what particularly pleased him, Triboulet, the dwarf jester, whose skull-cap was no bigger than an orange.

(1) Sometimes the journeys were set about on horseback in a large party, with the FOURRIERS sent forward to prepare a lodging at the next stage. We find almost Gargantuan details of the provision made by these officers against the duke's arrival, of eggs and butter and bread, cheese and peas and chickens, pike and bream and barbel, and wine both white and red. (2) Sometimes he went by water in a barge, playing chess or tables with a friend in the pavilion, or watching other vessels as they went before the wind. (3) Children ran along the bank, as they do to this day on the Crinan Canal; and when Charles threw in money, they would dive and bring it up. (4) As he looked on at their exploits, I wonder whether that room of gold and silk and worsted came back into his memory, with the device of little children in a river, and the sky full of birds?

(1) Lecoy de la Marche, ROI RENE, II. 155, 177.

(2) Champollion-Figeac, chaps. v. and vi.

(3) IBID. 364; Works, i. 172.

(4) Champollion-Figeac, 364: "Jeter de l'argent aux petis enfans qui estoient au long de Bourbon, pour les faire nonner en l'eau et aller querre l'argent au fond."

He was a bit of a book-fancier, and had vied with his brother Angouleme in bringing back the library of their grandfather Charles V., when Bedford put it up for sale in London. (1)