Casanova
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第1141章

Farinello and the Electress Dowager of Saxony--Madame Slopitz--Nina--

The Midwife--Madame Soavi--Abbe Bolini--Madame Viscioletta--

The Seamstress--The Sorry Pleasure of Revenge--Severini Goes to Naples --My Departure--Marquis Mosca Anyone who attacks a proud person in a comic vein is almost sure of success; the laugh is generally on his side.

I asked in my dialogue whether it was lawful for a provost-marshal to call himself simply marshal, and whether a lieutenant-colonel had a right to the title of colonel. I also asked whether the man who preferred titles of honour, for which he had paid in hard cash, to his ancient and legitimate rank, could pass for a sage.

Of course the marquis had to laugh at my dialogue, but he was called the general ever after. He had placed the royal arms of Poland over the gate of his palace, much to the amusement of Count Mischinski, the Polish ambassador to Berlin, who happened to be passing through Bologna at that time.

I told the Pole of my dispute with the mad marquis, and persuaded him to pay Albergati a visit, leaving his card. The ambassador did so, and the call was returned, but Albergati's cards no longer bore the title of general.

The Dowager Electress of Saxony having come to Bologna, I hastened to pay my respects to her. She had only come to see the famous catstrato Farinello, who had left Madrid, and now lived at Bologna in great comfort. He placed a magnificent collation before the Electress, and sang a song of his own composition, accompanying himself on the piano.

The Electress, who was an enthusiastic musician, embraced Farinello, exclaiming,--

"Now I can die happy."

Farinello, who was also known as the Chevalier Borschi had reigned, as it were, in Spain till the Parmese wife of Philip V. had laid plots which obliged him to leave the Court after the disgrace of Enunada. The Electress noticed a portrait of the queen, and spoke very highly of her, mentioning some circumstances which must have taken place in the reign of Ferdinand VI.

The famous musician burst into tears, and said that Queen Barbara was as good as Elizabeth of Parma was wicked.

Borschi might have been seventy when I saw him at Bologna. He was very rich and in the enjoyment of good health, and yet he was unhappy, continually shedding tears at the thought of Spain.

Ambition is a more powerful passion than avarice. Besides, Farinello had another reason for unhappiness.

He had a nephew who was the heir to all his wealth, whom he married to a noble Tuscan lady, hoping to found a titled family, though in an indirect kind of way. But this marriage was a torment to him, for in his impotent old age he was so unfortunate as to fall in love with his niece, and to become jealous of his nephew. Worse than all the lady grew to hate him, and Farinello had sent his nephew abroad, while he never allowed the wife to go out of his sight.

Lord Lincoln arrived in Bologna with an introduction for the cardinal legate, who asked him to dinner, and did me the honour of giving me an invitation to meet him. The cardinal was thus convinced that Lord Lincoln and I had never met, and that the grand duke of Tuscany had committed a great injustice in banishing me. It was on that occasion that the young nobleman told me how they had spread the snare, though he denied that he had been cheated; he was far too proud to acknowledge such a thing. He died of debauchery in London three or four years after.

I also saw at Bologna the Englishman Aston with Madame Slopitz, sister of the Charming Cailimena. Madame Slopitz was much handsomer than her sister. She had presented Aston with two babes as beautiful as Raphael's cherubs.

I spoke of her sister to her, and from the way in which I sang her praises she guessed that I had loved her. She told me she would be in Florence during the Carnival of 1773, but I did not see her again till the year 1776, when I was at Venice.

The dreadful Nina Bergonci, who had made a madman of Count Ricla, and was the source of all my woes at Barcelona, had come to Bologna at the beginning of Lent, occupying a pleasant house which she had taken. She had carte blanche with a banker, and kept up a great state, affirming herself to be with child by the Viceroy of Catalonia, and demanding the honours which would be given to a queen who had graciously chosen Bologna as the place of her confinement. She had a special recommendation to the legate, who often visited her, but in the greatest secrecy.

The time of her confinement approached, and the insane Ricla sent over a confidential man, Don Martino, who was empowered to have the child baptized, and to recognize it as Ricla's natural offspring.

Nina made a show of her condition, appearing at the theatre and in the public places with an enormous belly. The greatest noble of Bologna paid court to her, and Nina told them that they might do so, but that she could not guarantee their safety from the jealous dagger of Ricla. She was impudent enough to tell them what happened to me at Barcelona, not knowing that I was at Bologna.

She was extremely surprised to hear from Count Zini, who knew me, that I

inhabited the same town as herself.

When the count met me he asked me if the Barcelona story was true. I did not care to take him into my confidence, so I replied that I did not know Nina, and that the story had doubtless been made up by her to see whether he would encounter danger for her sake.

When I met the cardinal I told him the whole story, and his eminence was astonished when I gave him some insight into Nina's character, and informed him that she was the daughter of her sister and her grandfather.

"I could stake my life," said I, "that Nina is no more with child than you are."

"Oh, come!" said he, laughing, "that is really too strong; why shouldn't she have a child? It is a very simple matter, it seems to me. Possibly it may not be Ricla's child but there can be no doubt that she is with somebody's child. What object could she have for feigning pregnancy?"